Junior Seminar/Rouvelle/Spring '08
Thursday 6pm-9pm.
Brown Center 206

Contact:jrouvelle@mica.edu
Office: Brown Center, room 211, phone (in office).
Office hours: by appointment
_______________________

Course work in summary:

Each of you will be asked to create, run, stream, and document one project over the course of the semester.

The project must involve Mogulus.

The project must involve BR217.

The project must run for no more than one hour.

The project must be assembled in no more than 90 minutes.

You must prepare a 2-4minute documentation of your project and post it to Youtube prior to the next class.

Classes will alternate in form between:

Crit/Pitch Form:
Each class will begin with a crit of the piece from the week before.  This crit will last thirty minutes and include a presentation of the documentation of the piece.

After the crit, the next project will be described by the project leader, and responsibilities will be assigned to the rest of the class. 

Responsibilities for team members (rest of the class) should be reasonable and not exceed 90 minutes of work per week.

Install/Run/Document Form:
Teams will install, run, and document and stream their project.  All projects must be running by 8pm and be  completed by 9pm.

Following the running of the project team members will clean up project site.

Project director will create 2-4 minute documentation of project and post it to Youtube prior to the next class, using the classname and mica, as well as at least three other tags appropriate to the piece.  Comments must be enabled.

Project Director will also prepare a brief team assessment that will  be a form designed to gauge the quality of work for the individual team members.  This form will be submitted to me privately.

The next project director will prepare their plan for building and running their piece and present that plan during the following class.

Evaluation:
Grades in this course will be based on regular class attendance, the quality of your work, class participation (team work), and progress. Tardiness and excessive absences will adversely affect your grade. Participation in discussions and critiques is mandatory.

***If you fail to meet your responsibilities as a team member you will fail this course. If you fail to succesfully run a project during your specific time you will fail this course.


Projects & Grading:

Students will be graded by letter, A-F, on all evaluated work. Work must be completed on time and in full satisfaction of each project goal. Late work (assignments handed in or posted after the start of in-class critique sessions) will be automatically downgraded by one letter grade.

A Well above the expectations of the course. Outstanding participation, attendance, and exceptional progress.
B Above average assignments and participation. No more than one absence.
C Average execution of assignments, participation, and no more than two absences.
D Well below average: work, attendance (two absences), projects, and participation.
F Unsatisfactory: work, attendance (more than two absences), projects, and participation. SEE ABOVE.


Attendance:

Two or more unexcused absences from class may result in failure. Two unexcused late arrivals, or early departures (eg, not returning from dinner, or other unexplained disappearance) will be marked as the equivalent of one absence. Absence from a class is not an excuse for skipping a tutorial, reading assignment, or posting an assignment. You are fully responsible for completing work.

Readings:
Readings and tutorials will often be delivered through the web - via links (URLs). Critiques will frequently be initiated from various topics covered in the readings - in other words, please use the concepts you read about in discussion of fellow students' work.

Supplies:
Please bring to each class: 1-2 CD-R(s) - Recordable Compact Discs (700 MB). You'll probably go through many of them, for both this and other digital classes. You might also want to bring in a sharpie to label your CD's.
It is essential that all work done in class be saved to CD-R at the conclusion of class. There will be many, many other students using these computers and anything saved on them will be permanently removed shortly after the conclusion of class.

Software Consultant:
If you are having trouble becoming acquainted with the software we will be using please see the software consultant.

Food and Drink in the Computer Labs:

No.

ADA COMPLIANCE:
In order to provide the highest quality educational experience for every student, MICA is committed to compliance with the ADA and Section 504. Any student who has (or suspects he or she may have) a physical, cognitive, or psychological disability and who wants to request accommodations must immediately schedule an appointment to meet with the Director of the Learning Resource Center, Dr. Kathryn Smith, by calling the LRC Administrative Assistant, Mary Walsh, at (410)669-3177. The LRC is MICA’s designated department for determining reasonable accommodations based on legal requirements and will provide the eligible student with an official Accommodation Verification letter to the instructor. Each semester the student must formally request accommodations from the LRC each semester, and format of the Verification letters change each semester to ensure currency.
NOTE: Students with disabilities who want assistance during emergency evacuations must register with the LRC within the first week of each semester.

HEALTH AND SAFETY:
MICA has developed policies and practices to ensure a healthful environment
and safe approaches to the use of equipment, materials, and processes. It is
the mutual responsibility of faculty and students to review health and
safety standards relevant to each class at the beginning of each semester.
Students should be aware of general fire, health, and safety regulations
posted in each area and course specific polices, practices, and cautions.
Students who have concerns related to health and safety should contact
Quentin Moseley, Environment Health and Safety Coordinator at 410 225 0220
or email at qmoseley@mica.edu

There is no Final Exam during exam week. Our final class is the last week of classes.

______________

Weekly Schedule
______________

Week 1

Intro..

Mogulus

Tutorials: 1, 2, 3, 4.

Create Schedule of Projects

 

Create Mogulus Accounts, test collaborative broadcast.

 

____________________________

Week 2

More Mogulus/Cam Twist madness.

Order of Projects.

Some ideas.

an opportunity: 

send + receive

 

Remember>>

Caleb Waldorf's The Artificial Moon and the Post Human?
What are the implications of a proliferation of real-time media?
Streaming Museum

Tech:

14 ways to broadcast yourself
Facebook/Mogulus Tutorial
Kyte.Tv demo
How can we integrate Kyte and Mogulus?
Using Motion Graphics in Mogulus
After Effects Tutorials, Pt. 1

Content:

Ajax Magnetic Poetry
How might we combine the above with a stream or other video?
The Onion Videos
Leandro Erlich
Rimini Protokol
Article on Three Recent R/P Productions
39 George V trompe l'oeil facade in Paris

 

Assignment:

Prepare your project pitch.

Read, 14 ways to broadcast yourself

____________________________

Week 3

Project Order:

justin 2/14
aaron s
2/28
aaron b
3/20
ilia
4/10
christina
4/24
mick
5/8

Justin will pitch his project.

Mogulus or Ustream?

Let's test drive these two platforms and decide which is best for us.

 

FYI:

Splashcast 

podtech

robert scoble's blog

Ustream 10 minute tutorial

podtech re: Ustream

Splashcast succinct:

podtech re: Splashcast

podtech re: Mogulus

Class Tech?: instapaper

____________________________

Week 4

Run/Stream Justin's Project 

Justin with record his project and edit it down to a reasonable length and upload his edit to YouTube with appropriate tags, including MICA, and anthing else he feels is appropriate. Commments should be enabled.

Next week we will watch Justin's project in class and discuss it. Please feel free to watch his project on YouTube and comment prior to class.

Aaron s. will then tell us what he's planning to work on for week 5, and we will start work in his project.

 

please read about:

Hyperreality - paying close attention to performativity, and be prepared to discuss the article in relation to streaming media and your projects.

 

Please also check out these memetracking sites:

 

tailrank

megite

and look at this article on memetracking

  ___________________________

Week 5

What is the hyppereal and what do you think about it?

 

The following quotes are from Charles S. Peirce, American Philosopher, 1839 –1914, and come from Philosophical Writings of Peirce, edited by Justus Buchler. Available via Google Books.

“It is a matter of real fact to say that in a certain room there are two persons. It is a matter of fact to say that each person has two eyes. It is a matter of fact to say that each person has two eyes. It is a matter of fact to say that there are four eyes in the room. But to say that if there are two persons and each person has two eyes there will be four eyes is not a statement of fact, but a statement about the system of numbers which is our own creation.” p. 59

“..for the real is that which insists upon forcing its’ way into our recognition as something other than the mind’s creation. The real is active; we acknowledge, in calling it the actual. (This word is due to Aristotle’s use of action to mean existence, as opposed to a mere germinal state.)” p. 79

“The reality of things consists in their persistent forcing themselves upon our recognition. If a think has no such persistence, it is a mere dream. Reality, then, is persistence, is regularity. In the original chaos, where there was no regularity, there was no existence. it was all a confused dream. This we may suppose was in the infinitely distant past. But as things are getting more regular, more persistent, they are getting less dreamy and more real” p. 358

Nassim Taleb, from The Black Swan
“Platonicity: the desire to cut reality into crips shapes….Categorizing is necessary for humans, but it becomes pathological when the category is seen as definitive, preventing people from considering the fuzziness of boundaries, let alone revising their categories.” p. 15

Interactive prims?

Podcasting/videocasting à sms/twitter/kyte/qik à mogulus ?

As an aid in designing interactive projects, consider creating a shape for each, and then making a block diagram with those shapes.

off-site opportunity: St. John's Church at 2640 St. Paul St.

***this Sunday brief visit?

Tech:

Tjoon renku?

camcamX

Justin's Crit.

Aaron S. project pitch and discussion.

Assignment:

Seduction
_______________________________________________

Week 5

The aarons:

S will pitch his project.
B will stream his project.

Tech:

RSS
Yahoo Pipes (metafluence article,,social strategist article)OUseful Info - Barack Obama Tweet mapping,lifestreams with twitter and yahoo pipes,botanical arduino,geocoding and mapping tweets)
Google Mashup Editor (fuel price mashup,rss presence)

Assignment: please:

Watch the hyperReal
the son of hyperreality
and when we discuss aaron b's project please be able to refer to Hyperreality....


____________________________

Week 6

Crit/Pitch Project #3 

memes

internet memes >>An object of interest on the Internet that self-propagates in a viral manner.

memes exist beyond the internet - are there baltimore/MICA memes?

vvork

I-Be Area

I-Be2 becomes Oliver becomes Amerisha

RePlacement ONxy-Tonyah's man talk

Animental --background information

The Idea of North

 

____________________________

Week 7

aarons' projects

 

DRMnU >>

tunecore -> they buy the music from the artists and let you download for free.

Pandora -> custom internet radio station using the music genome project.

 

RCRD LBL

The following are illegal in the USA>>

SliceThePie

SellaBand

 

more on ryan trecartin:

 

artfagcity review of I-Be Area

 

A Family Finds Entertainment (4/5) (earlier work mentioned in the artfagcity review above. where is section 3? why do you think it isn't there, what happens at the end of section 2?).

 

Tommy Chat Just E-mailed Me. (earlier short).

notice how many of the characters deliver their lines facing camera, as if the script is composed of intersecting soliloquies, and at times all of the characters say identical lines simultaneously.

does the speed of the editing, dialogue, etc., coupled with the soliloquy style of line delivery seem in any way related to the custom-content, on-demand format of the web? just wondering...

 

what would communication be like if we expressed ourselves and interacted with each other like the characters do in ryan's works? it reminds me of a flock of birds, singing simultaneously in a tree - but out of those individual gestures patterns emerge. flocking is an example. collective intelligence?

 

lastly, in Italo Calvino's Mr. Palomar, the main character observes birds singing and wonders if the meaning comes not from the sound but from the silences between birdcalls...

 

Assignment: have a good vacation.

 

____________________________

Week 8

Crit/Pitch Project #4 

  ___________________________

Week 9

Install/Run/Stream/Document Project #4 

____________________________

Week 10

Crit/Pitch Project #5   

____________________________

Week 11

Install/Run/Stream/Document Project #5 

____________________________

Week 12

Crit/Pitch Project #6 

  ___________________________

Week 13

Install/Run/Stream/Document Project #6 

____________________________

Week 14

Crit Project #6 

  ____________________________

Week 15

we'll see...